{"id":8127,"date":"2013-06-12T17:06:49","date_gmt":"2013-06-12T20:06:49","guid":{"rendered":"https:\/\/prceu.usp.br\/nascente\/?page_id=579"},"modified":"2021-08-10T15:45:49","modified_gmt":"2021-08-10T18:45:49","slug":"finalistas-22nascente","status":"publish","type":"post","link":"https:\/\/prceu.usp.br\/nascente\/finalistas-22nascente\/","title":{"rendered":"Finalistas"},"content":{"rendered":"

[WPVT]<\/h1>\n

Numa edi\u00e7\u00e3o com a segunda maior marca de inscri\u00e7\u00f5es da hist\u00f3ria do Nascente, \u00e9 com enorme satisfa\u00e7\u00e3o que apresentamos\u00a0todos os finalistas do 22\u00ba Programa Nascente de 2014:<\/span><\/h1>\n

<\/h1>\n

Artes C\u00eanicas:<\/strong><\/span><\/h2>\n

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Categoria- Dire\u00e7\u00e3o<\/strong><\/span><\/h2>\n

<\/h2>\n

<\/h2>\n\n\n\n\n
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N\u00ba Trabalho<\/strong><\/span><\/h2>\n<\/td>\n

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T\u00edtulo<\/strong><\/span><\/h2>\n<\/td>\n

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Aluno<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

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393<\/strong><\/span><\/h2>\n<\/td>\n

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As Mulheres Que N\u00e3o Vestiam Cal\u00e7as<\/strong><\/span><\/h2>\n<\/td>\n

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Michel Mauch Rosa<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u00a0<\/strong><\/span><\/h2>\n

<\/h2>\n

<\/h2>\n

Categoria- Interpreta\u00e7\u00e3o em Grupo.<\/strong><\/span><\/h2>\n\n\n\n\n\n\n\n\n\n\n\n
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N\u00ba Trabalho<\/strong><\/span><\/h2>\n<\/td>\n

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T\u00edtulo<\/strong><\/span><\/h2>\n<\/td>\n

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Aluno<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

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493<\/strong><\/span><\/h2>\n<\/td>\n

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A Muda<\/strong><\/span><\/h2>\n<\/td>\n

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Afonso Alves Costa<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

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493<\/strong><\/span><\/h2>\n<\/td>\n

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A Muda<\/strong><\/span><\/h2>\n<\/td>\n

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Eduardo Hiroshi Yoshimura<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

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493<\/strong><\/span><\/h2>\n<\/td>\n

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A Muda<\/strong><\/span><\/h2>\n<\/td>\n

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Eduardo Marquioli<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

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493<\/strong><\/span><\/h2>\n<\/td>\n

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A Muda<\/strong><\/span><\/h2>\n<\/td>\n

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Flavia Carramenha de Goes<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

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493<\/strong><\/span><\/h2>\n<\/td>\n

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A Muda<\/strong><\/span><\/h2>\n<\/td>\n

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Julia Cafalli Favati<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

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493<\/strong><\/span><\/h2>\n<\/td>\n

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A Muda<\/strong><\/span><\/h2>\n<\/td>\n

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Luiz Henrique Andrade dos Santos<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

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493<\/strong><\/span><\/h2>\n<\/td>\n

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A Muda<\/strong><\/span><\/h2>\n<\/td>\n

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Nara Zocher de Souza<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

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493<\/strong><\/span><\/h2>\n<\/td>\n

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A Muda<\/strong><\/span><\/h2>\n<\/td>\n

\n

Vinicius de Almeida Marciano<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Artes Visuais:<\/strong><\/span><\/h2>\n

Categoria- Desenho.<\/strong><\/span><\/h2>\n\n\n\n\n\n
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N\u00ba Trabalho<\/strong><\/span><\/h2>\n<\/td>\n

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T\u00edtulo<\/strong><\/span><\/h2>\n<\/td>\n

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Aluno<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

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243<\/strong><\/span><\/h2>\n<\/td>\n

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destino s\u00e3o paulo<\/strong><\/span><\/h2>\n<\/td>\n

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Julia Sayeg Tranchesi<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

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600<\/strong><\/span><\/h2>\n<\/td>\n

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Joguinho<\/strong><\/span><\/h2>\n<\/td>\n

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Nara Mitiru de Tani e Isoda<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Categoria- Fotografia.<\/strong><\/span><\/h2>\n\n\n\n\n\n\n
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N\u00ba Trabalho<\/strong><\/span><\/h2>\n<\/td>\n

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T\u00edtulo<\/strong><\/span><\/h2>\n<\/td>\n

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Aluno<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

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170<\/strong><\/span><\/h2>\n<\/td>\n

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Noturno, Vl. M. ZL, Of\u00edcios<\/strong><\/span><\/h2>\n<\/td>\n

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Martim Passos<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

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670<\/strong><\/span><\/h2>\n<\/td>\n

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“Entrelinha”;” Dormir ou sonhar”;” O C\u00e9u \u00e9 o que nos une”<\/strong><\/span><\/h2>\n<\/td>\n

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Marina D’ Imp\u00e9rio Lima<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

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678<\/strong><\/span><\/h2>\n<\/td>\n

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Chiaroscuro<\/strong><\/span><\/h2>\n<\/td>\n

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Flam\u00ednio Jallageas de Lima Cardoso<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Categoria- Gravura.<\/strong><\/span><\/h2>\n\n\n\n\n\n\n\n\n\n
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N\u00ba Trabalho<\/strong><\/span><\/h2>\n<\/td>\n

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T\u00edtulo<\/strong><\/span><\/h2>\n<\/td>\n

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Aluno<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

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299<\/strong><\/span><\/h2>\n<\/td>\n

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Paisagens Imagin\u00e1rias<\/strong><\/span><\/h2>\n<\/td>\n

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Julia Lopez da Mota<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

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547<\/strong><\/span><\/h2>\n<\/td>\n

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sem t\u00edtulo<\/strong><\/span><\/h2>\n<\/td>\n

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Isabella da Silva Finholdt<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

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661<\/strong><\/span><\/h2>\n<\/td>\n

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criado mudo<\/strong><\/span><\/h2>\n<\/td>\n

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Francisco Horta de Albuquerque Maranh\u00e3o<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

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700<\/strong><\/span><\/h2>\n<\/td>\n

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Cabe\u00e7as<\/strong><\/span><\/h2>\n<\/td>\n

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Adriana Moreno<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

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703<\/strong><\/span><\/h2>\n<\/td>\n

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gravura e colagem<\/strong><\/span><\/h2>\n<\/td>\n

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Guilherme Boso da Cunha<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

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706<\/strong><\/span><\/h2>\n<\/td>\n

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desenho, gravura e monotipia<\/strong><\/span><\/h2>\n<\/td>\n

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Frederico Heer<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Categoria- Instala\u00e7\u00e3o.<\/strong><\/span><\/h2>\n\n\n\n\n
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N\u00ba Trabalho<\/strong><\/span><\/h2>\n<\/td>\n

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T\u00edtulo<\/strong><\/span><\/h2>\n<\/td>\n

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Aluno<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

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814<\/strong><\/span><\/h2>\n<\/td>\n

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Aos que passaram<\/strong><\/span><\/h2>\n<\/td>\n

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Romeu Mizuguchi<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Categoria- Multim\u00eddia.<\/strong><\/span><\/h2>\n\n\n\n\n\n
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N\u00ba Trabalho<\/strong><\/span><\/h2>\n<\/td>\n

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T\u00edtulo<\/strong><\/span><\/h2>\n<\/td>\n

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Aluno<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

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449<\/strong><\/span><\/h2>\n<\/td>\n

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Territ\u00f3rio em transe<\/strong><\/span><\/h2>\n<\/td>\n

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Leandro Le\u00e3o Alves<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

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721<\/strong><\/span><\/h2>\n<\/td>\n

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Autorretrato com dura\u00e7\u00e3o e sons vari\u00e1veis IV<\/strong><\/span><\/h2>\n<\/td>\n

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Viviane Vallades da Silva<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Categoria- Pintura.<\/strong><\/span><\/h2>\n\n\n\n\n\n\n\n\n
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N\u00ba Trabalho<\/strong><\/span><\/h2>\n<\/td>\n

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T\u00edtulo<\/strong><\/span><\/h2>\n<\/td>\n

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Aluno<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

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293<\/strong><\/span><\/h2>\n<\/td>\n

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Das Coisas do Meu Pai<\/strong><\/span><\/h2>\n<\/td>\n

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Guilherme Ramos Gon\u00e7alves<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

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341<\/strong><\/span><\/h2>\n<\/td>\n

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s\u00e9rie sint\u00e9tica (1) \/ s\u00e9rie an\u00f3dina (2)<\/strong><\/span><\/h2>\n<\/td>\n

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Jo\u00e3o Gomes Gon\u00e7alves<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

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483<\/strong><\/span><\/h2>\n<\/td>\n

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Metr\u00f4<\/strong><\/span><\/h2>\n<\/td>\n

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Pedro Yukio de Barros Hamaya<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

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595<\/strong><\/span><\/h2>\n<\/td>\n

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Sobre Superf\u00edcie<\/strong><\/span><\/h2>\n<\/td>\n

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Aline Moreira da Silva Tafner<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

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704<\/strong><\/span><\/h2>\n<\/td>\n

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Noturnos<\/strong><\/span><\/h2>\n<\/td>\n

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Jana\u00edna Nagata Otoch |\u00a0\u00a0Marina Nunes D’Aiuto<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Audiovisual:<\/strong><\/span><\/h2>\n

Categoria- Projeto- Anima\u00e7\u00e3o.<\/strong><\/span><\/h2>\n\n\n\n\n\n
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N\u00ba Trabalho<\/strong><\/span><\/h2>\n<\/td>\n

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T\u00edtulo<\/strong><\/span><\/h2>\n<\/td>\n

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Aluno<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

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681<\/strong><\/span><\/h2>\n<\/td>\n

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A Caverna Branca<\/strong><\/span><\/h2>\n<\/td>\n

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Heitor Guen de Tani e Isoda<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

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808<\/strong><\/span><\/h2>\n<\/td>\n

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“L\u00e9 com Cr\u00e9 – O que que \u00e9…”<\/strong><\/span><\/h2>\n<\/td>\n

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Cassandra Silv\u00e9rio dos Reis<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Categoria- Projeto- Document\u00e1rio.<\/strong><\/span><\/h2>\n\n\n\n\n\n
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N\u00ba Trabalho<\/strong><\/span><\/h2>\n<\/td>\n

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T\u00edtulo<\/strong><\/span><\/h2>\n<\/td>\n

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Aluno<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

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680<\/strong><\/span><\/h2>\n<\/td>\n

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Da priva\u00e7\u00e3o \u00e0 liberdade: hist\u00f3rias de vida de moradores de Servi\u00e7os Sociais Terap\u00eauticos<\/strong><\/span><\/h2>\n<\/td>\n

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Aline Cristina Dadalte<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

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792<\/strong><\/span><\/h2>\n<\/td>\n

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Imagem identidade: Oficinas de audiovisual nos Quilombos Ribeir\u00e3o Grande e Terra Seca<\/strong><\/span><\/h2>\n<\/td>\n

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Armando Manoel Neto<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Categoria- Projeto- Fic\u00e7\u00e3o.<\/strong><\/span><\/h2>\n\n\n\n\n\n
\n

N\u00ba Trabalho<\/strong><\/span><\/h2>\n<\/td>\n

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T\u00edtulo<\/strong><\/span><\/h2>\n<\/td>\n

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Aluno<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

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642<\/strong><\/span><\/h2>\n<\/td>\n

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Tu Sais Rien<\/strong><\/span><\/h2>\n<\/td>\n

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Victor Miaciro Costa<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

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799<\/strong><\/span><\/h2>\n<\/td>\n

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Serenata<\/strong><\/span><\/h2>\n<\/td>\n

\n

Daniela Lima Seabra<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Categoria- Finaliza\u00e7\u00e3o- Document\u00e1rio.<\/strong><\/span><\/h2>\n\n\n\n\n
\n

N\u00ba Trabalho<\/strong><\/span><\/h2>\n<\/td>\n

\n

T\u00edtulo<\/strong><\/span><\/h2>\n<\/td>\n

\n

Aluno<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

\n

666<\/strong><\/span><\/h2>\n<\/td>\n

\n

O Cortejo<\/strong><\/span><\/h2>\n<\/td>\n

\n

Leandro Le\u00e3o Alves<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Design:<\/strong><\/span><\/h2>\n

Categoria- Design de Produto.<\/strong><\/span><\/h2>\n\n\n\n\n\n
\n

N\u00ba Trabalho<\/strong><\/span><\/h2>\n<\/td>\n

\n

T\u00edtulo<\/strong><\/span><\/h2>\n<\/td>\n

\n

Aluno<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

\n

98<\/strong><\/span><\/h2>\n<\/td>\n

\n

J\u00f3ias sustent\u00e1veis compostas de garrafas PET reutilizadas<\/strong><\/span><\/h2>\n<\/td>\n

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Gabriella Ribeiro da Silva e Ara\u00fajo<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

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283<\/strong><\/span><\/h2>\n<\/td>\n

\n

Flor Lil\u00e1s<\/strong><\/span><\/h2>\n<\/td>\n

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Juliano Bonamigo Ferreira de Souza<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Categoria- Identidade Visual e Aplica\u00e7\u00f5es.<\/strong><\/span><\/h2>\n\n\n\n\n\n\n
\n

N\u00ba Trabalho<\/strong><\/span><\/h2>\n<\/td>\n

\n

T\u00edtulo<\/strong><\/span><\/h2>\n<\/td>\n

\n

Aluno<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

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256<\/strong><\/span><\/h2>\n<\/td>\n

\n

Volcano e FeSBE<\/strong><\/span><\/h2>\n<\/td>\n

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Ana Paula Campos<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

\n

644<\/strong><\/span><\/h2>\n<\/td>\n

\n

XI Semana do Audiovisual<\/strong><\/span><\/h2>\n<\/td>\n

\n

Mariane Cardoso Nunes<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

\n

654<\/strong><\/span><\/h2>\n<\/td>\n

\n

Identidade Visual GEAMA USP<\/strong><\/span><\/h2>\n<\/td>\n

\n

Guilherme Prado Zorzella<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Categoria- Projeto Editorial.<\/strong><\/span><\/h2>\n\n\n\n\n\n
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N\u00ba Trabalho<\/strong><\/span><\/h2>\n<\/td>\n

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T\u00edtulo<\/strong><\/span><\/h2>\n<\/td>\n

\n

Aluno<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

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248<\/strong><\/span><\/h2>\n<\/td>\n

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Experimentos com impress\u00e3o em pequenas tiragens<\/strong><\/span><\/h2>\n<\/td>\n

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Nathalia Pedro Cury<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

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365<\/strong><\/span><\/h2>\n<\/td>\n

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Revista Contraste 2<\/strong><\/span><\/h2>\n<\/td>\n

\n

Nicolas Andr\u00e9 Mesquita Cerino Carrillo Le Rou<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

M\u00fasica Erudita:<\/strong><\/span><\/h2>\n

Categoria- Composi\u00e7\u00e3o.<\/strong><\/span><\/h2>\n\n\n\n\n\n\n
\n

N\u00ba Trabalho<\/strong><\/span><\/h2>\n<\/td>\n

\n

T\u00edtulo<\/strong><\/span><\/h2>\n<\/td>\n

\n

Aluno<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

\n

301<\/strong><\/span><\/h2>\n<\/td>\n

\n

Luar Agreste<\/strong><\/span><\/h2>\n<\/td>\n

\n

Henrique Diaz Scrocco<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

\n

392<\/strong><\/span><\/h2>\n<\/td>\n

\n

TREPP<\/strong><\/span><\/h2>\n<\/td>\n

\n

Yuri Prado Brand\u00e3o de Souza<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

\n

819<\/strong><\/span><\/h2>\n<\/td>\n

\n

EL VAIV\u00c9N DE LA SINIESTRA<\/strong><\/span><\/h2>\n<\/td>\n

\n

Braian Esneider Buitrago Uribe<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Categoria- Int\u00e9rprete Instrumental.<\/strong><\/span><\/h2>\n\n\n\n\n\n\n
\n

N Trabalho<\/strong><\/span><\/h2>\n<\/td>\n

\n

T\u00edtulo<\/strong><\/span><\/h2>\n<\/td>\n

\n

Aluno<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

\n

367<\/strong><\/span><\/h2>\n<\/td>\n

\n

Introduction et Rondo Capriccioso Op, 28 Saint Sa\u00ebns<\/strong><\/span><\/h2>\n<\/td>\n

\n

Lucas Henrique Teixeira Martins<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

\n

825<\/strong><\/span><\/h2>\n<\/td>\n

\n

Interpreta\u00e7\u00e3o das pe\u00e7as<\/strong><\/span><\/h2>\n<\/td>\n

\n

Lucas dos Santos Gon\u00e7alves<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

\n

825<\/strong><\/span><\/h2>\n<\/td>\n

\n

Interpreta\u00e7\u00e3o das pe\u00e7as<\/strong><\/span><\/h2>\n<\/td>\n

\n

Styveen L. C. P. Azzola<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

M\u00fasica Popular:<\/strong><\/span><\/h2>\n

Categoria- Composi\u00e7\u00e3o.<\/strong><\/span><\/h2>\n\n\n\n\n\n\n\n\n\n\n\n\n
\n

N\u00ba Trabalho<\/strong><\/span><\/h2>\n<\/td>\n

\n

T\u00edtulo<\/strong><\/span><\/h2>\n<\/td>\n

\n

Aluno<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

\n

206<\/strong><\/span><\/h2>\n<\/td>\n

\n

ESTADO NO SO\u00d1ADO<\/strong><\/span><\/h2>\n<\/td>\n

\n

Braian Esneider Buitrago Uribe<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

\n

209<\/strong><\/span><\/h2>\n<\/td>\n

\n

Retruque | Retoque<\/strong><\/span><\/h2>\n<\/td>\n

\n

Paulo Roberto Vieira<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

\n

379<\/strong><\/span><\/h2>\n<\/td>\n

\n

Caf\u00e9 com Ch\u00e3o<\/strong><\/span><\/h2>\n<\/td>\n

\n

Rodrigo Valentim Chiquetto<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

\n

478<\/strong><\/span><\/h2>\n<\/td>\n

\n

Requeij\u00e3o<\/strong><\/span><\/h2>\n<\/td>\n

\n

Daniel Grajew<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

\n

605<\/strong><\/span><\/h2>\n<\/td>\n

\n

SEMPRE RINDO<\/strong><\/span><\/h2>\n<\/td>\n

\n

Meryelle Nogueira Maciente<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

\n

710<\/strong><\/span><\/h2>\n<\/td>\n

\n

Perfect Rainy Day<\/strong><\/span><\/h2>\n<\/td>\n

\n

Eduardo Sangiorgio Dobay<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

\n

710<\/strong><\/span><\/h2>\n<\/td>\n

\n

Perfect Rainy Day<\/strong><\/span><\/h2>\n<\/td>\n

\n

Marianna Pinheiro Vannucci<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

\n

750<\/strong><\/span><\/h2>\n<\/td>\n

\n

Choro Mineiro<\/strong><\/span><\/h2>\n<\/td>\n

\n

Andr\u00e9 Misiara Bachur<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

\n

809<\/strong><\/span><\/h2>\n<\/td>\n

\n

DIA LINDO<\/strong><\/span><\/h2>\n<\/td>\n

\n

Maria Rita Brand\u00e3o Machado<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Categoria- Int\u00e9rprete Individual.<\/strong><\/span><\/h2>\n\n\n\n\n
\n

N\u00ba Trabalho<\/strong><\/span><\/h2>\n<\/td>\n

\n

T\u00edtulo<\/strong><\/span><\/h2>\n<\/td>\n

\n

Aluno<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

\n

560<\/strong><\/span><\/h2>\n<\/td>\n

\n

Un d\u00eda Soleado (Um dia ensolarado)<\/strong><\/span><\/h2>\n<\/td>\n

\n

Javier Ign\u00e1cio Lorca Espiro<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Texto:<\/strong><\/span><\/h2>\n

Categoria- Cr\u00f4nica.<\/strong><\/span><\/h2>\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n

N\u00ba Trabalho<\/strong><\/span><\/h2>\n<\/td>\n

\n

T\u00edtulo<\/strong><\/span><\/h2>\n<\/td>\n

\n

Aluno<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

\n

68<\/strong><\/span><\/h2>\n<\/td>\n

\n

Minha Primeira Consulta Ginecol\u00f3gica<\/strong><\/span><\/h2>\n<\/td>\n

\n

Wilheim Rodrigues Macedo Lima<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

\n

122<\/strong><\/span><\/h2>\n<\/td>\n

\n

Percurso<\/strong><\/span><\/h2>\n<\/td>\n

\n

Sabrina da Paix\u00e3o Br\u00e9sio<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

\n

177<\/strong><\/span><\/h2>\n<\/td>\n

\n

Press\u00e3o<\/strong><\/span><\/h2>\n<\/td>\n

\n

Matheus Pires Uller<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

\n

273<\/strong><\/span><\/h2>\n<\/td>\n

\n

Balan\u00e7a-Perna – S\u00f3leo e Gastrocn\u00eamio<\/strong><\/span><\/h2>\n<\/td>\n

\n

Fernando Bezerra da Silva Filho<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

\n

277<\/strong><\/span><\/h2>\n<\/td>\n

\n

O homem-urubu<\/strong><\/span><\/h2>\n<\/td>\n

\n

Luisa Marini Abate<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

\n

288<\/strong><\/span><\/h2>\n<\/td>\n

\n

Mulheres, Ressacas e Mosquitos<\/strong><\/span><\/h2>\n<\/td>\n

\n

R\u00f4mulo Maciel de Moraes Filho<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

\n

295<\/strong><\/span><\/h2>\n<\/td>\n

\n

Ensaio sobre nossos corpos metadimensionais<\/strong><\/span><\/h2>\n<\/td>\n

\n

Danilo Patzdorf Casari de Oliveira<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

\n

496<\/strong><\/span><\/h2>\n<\/td>\n

\n

Dies Domini<\/strong><\/span><\/h2>\n<\/td>\n

\n

Pedro Augusto Pinto<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

\n

619<\/strong><\/span><\/h2>\n<\/td>\n

\n

P\u00e2nico<\/strong><\/span><\/h2>\n<\/td>\n

\n

Maiane Adriele Lucas Ferreira<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

\n

633<\/strong><\/span><\/h2>\n<\/td>\n

\n

Petit Gateau<\/strong><\/span><\/h2>\n<\/td>\n

\n

Pedro Augusto de Oliveira Proen\u00e7a<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Categoria- Fic\u00e7\u00e3o.<\/strong><\/span><\/h2>\n\n\n\n\n\n\n\n\n\n\n\n
\n

N\u00ba Trabalho<\/strong><\/span><\/h2>\n<\/td>\n

\n

T\u00edtulo<\/strong><\/span><\/h2>\n<\/td>\n

\n

Aluno<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

\n

168<\/strong><\/span><\/h2>\n<\/td>\n

\n

Apartamentos e Quartos<\/strong><\/span><\/h2>\n<\/td>\n

\n

F\u00e1bio Andr\u00e9 Garcia L\u00e9lis<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

\n

191<\/strong><\/span><\/h2>\n<\/td>\n

\n

A Fruta Suculenta<\/strong><\/span><\/h2>\n<\/td>\n

\n

Marcel Hofling Martins<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

\n

202<\/strong><\/span><\/h2>\n<\/td>\n

\n

O ESPELHO NO ESCURO<\/strong><\/span><\/h2>\n<\/td>\n

\n

Alexandre Lopes Rabelo de Morais<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

\n

318<\/strong><\/span><\/h2>\n<\/td>\n

\n

PATCHWORKS<\/strong><\/span><\/h2>\n<\/td>\n

\n

Andr\u00e9 Gon\u00e7alves Mellagi<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

\n

332<\/strong><\/span><\/h2>\n<\/td>\n

\n

Como uma paleta sem cores<\/strong><\/span><\/h2>\n<\/td>\n

\n

Laura de Oliveira Cruz<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

\n

487<\/strong><\/span><\/h2>\n<\/td>\n

\n

Fabula\u00e7\u00f5es<\/strong><\/span><\/h2>\n<\/td>\n

\n

Ta\u00eds de Moraes Alves<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

\n

774<\/strong><\/span><\/h2>\n<\/td>\n

\n

sob o eco de quem desconhe\u00e7o ou do medo de quem seria<\/strong><\/span><\/h2>\n<\/td>\n

\n

Fabiano Ramos Torres<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

\n

778<\/strong><\/span><\/h2>\n<\/td>\n

\n

Andrew: ser de papel<\/strong><\/span><\/h2>\n<\/td>\n

\n

Daniela Simone Terehoff Merino<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Categoria- Poesia.<\/strong><\/span><\/h2>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n

N\u00ba Trabalho<\/strong><\/span><\/h2>\n<\/td>\n

\n

T\u00edtulo<\/strong><\/span><\/h2>\n<\/td>\n

\n

Aluno<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

\n

36<\/strong><\/span><\/h2>\n<\/td>\n

\n

Tiroc\u00ednio de Palavras<\/strong><\/span><\/h2>\n<\/td>\n

\n

Gilberto do Canto Silva<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

\n

129<\/strong><\/span><\/h2>\n<\/td>\n

\n

Objetos<\/strong><\/span><\/h2>\n<\/td>\n

\n

Arthur Moura Campos<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

\n

146<\/strong><\/span><\/h2>\n<\/td>\n

\n

Cantos do Ermo e da Cidade<\/strong><\/span><\/h2>\n<\/td>\n

\n

Daniel Levy Candeias<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

\n

174<\/strong><\/span><\/h2>\n<\/td>\n

\n

VENENO DA SERPENTE<\/strong><\/span><\/h2>\n<\/td>\n

\n

Guilherme Evaristo Souza Arjona<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

\n

181<\/strong><\/span><\/h2>\n<\/td>\n

\n

Torr\u00e3o e Outros Poemas<\/strong><\/span><\/h2>\n<\/td>\n

\n

Paulo C\u00e9sar de Toledo<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

\n

186<\/strong><\/span><\/h2>\n<\/td>\n

\n

eu<\/strong><\/span><\/h2>\n<\/td>\n

\n

Fabio Ferreira de Jesus<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

\n

207<\/strong><\/span><\/h2>\n<\/td>\n

\n

Hor\u00f3scopo Chin\u00eas<\/strong><\/span><\/h2>\n<\/td>\n

\n

Carlos Melo de Oliveira Paulino<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

\n

296<\/strong><\/span><\/h2>\n<\/td>\n

\n

Manuel,<\/strong><\/span><\/h2>\n<\/td>\n

\n

Carla Possati<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

\n

304<\/strong><\/span><\/h2>\n<\/td>\n

\n

Ligia Oceanica – poeira do mar<\/strong><\/span><\/h2>\n<\/td>\n

\n

Alexandre Facuri Chareti<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

\n

321<\/strong><\/span><\/h2>\n<\/td>\n

\n

indefini\u00e7\u00f5es, tormentos e travessuras<\/strong><\/span><\/h2>\n<\/td>\n

\n

Paulo Renato Minati Panzeri<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

\n

325<\/strong><\/span><\/h2>\n<\/td>\n

\n

Mantenha em local seco e arejado<\/strong><\/span><\/h2>\n<\/td>\n

\n

Lucas Rodrigues Valente S. Nunes<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

\n

361<\/strong><\/span><\/h2>\n<\/td>\n

\n

Nem isto, nem aquilo<\/strong><\/span><\/h2>\n<\/td>\n

\n

Renan Andrade Holanda<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

\n

422<\/strong><\/span><\/h2>\n<\/td>\n

\n

As quatro esta\u00e7\u00f5es em vinte e quatro horas – Haicais.<\/strong><\/span><\/h2>\n<\/td>\n

\n

Luiz Renato de Oliveira P\u00e9rico<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

\n

438<\/strong><\/span><\/h2>\n<\/td>\n

\n

Poesias<\/strong><\/span><\/h2>\n<\/td>\n

\n

Miguel Said Vieira<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

\n

453<\/strong><\/span><\/h2>\n<\/td>\n

\n

APORIA<\/strong><\/span><\/h2>\n<\/td>\n

\n

Luana Oliveira de Souza<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

\n

489<\/strong><\/span><\/h2>\n<\/td>\n

\n

Transversais<\/strong><\/span><\/h2>\n<\/td>\n

\n

Monica Marques<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

\n

564<\/strong><\/span><\/h2>\n<\/td>\n

\n

perdi a m\u00e3o<\/strong><\/span><\/h2>\n<\/td>\n

\n

Ari Marinho Bueno<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

\n

606<\/strong><\/span><\/h2>\n<\/td>\n

\n

Varia\u00e7\u00f5es sobre Celan<\/strong><\/span><\/h2>\n<\/td>\n

\n

Luiz Eduardo de Vasconcelos Moreira<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

\n

748<\/strong><\/span><\/h2>\n<\/td>\n

\n

CALENDI\u00c1RIO<\/strong><\/span><\/h2>\n<\/td>\n

\n

Gustavo Mani de Souza<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Categoria- Reportagem.<\/strong><\/span><\/h2>\n\n\n\n\n
\n

N\u00ba Trabalho<\/strong><\/span><\/h2>\n<\/td>\n

\n

T\u00edtulo<\/strong><\/span><\/h2>\n<\/td>\n

\n

Aluno<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

\n

556<\/strong><\/span><\/h2>\n<\/td>\n

\n

Sobre meninos e deuses<\/strong><\/span><\/h2>\n<\/td>\n

\n

Eduardo Santos Nascimento<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Categoria- Dramaturgia.<\/strong><\/span><\/h2>\n\n\n\n\n\n
\n

N\u00ba Trabalho<\/strong><\/span><\/h2>\n<\/td>\n

\n

T\u00edtulo<\/strong><\/span><\/h2>\n<\/td>\n

\n

Aluno<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

\n

352<\/strong><\/span><\/h2>\n<\/td>\n

\n

A Lua Alta Vive<\/strong><\/span><\/h2>\n<\/td>\n

\n

Jonathas Miranda de Carvalho<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n

\n

559<\/strong><\/span><\/h2>\n<\/td>\n

\n

Voc\u00ea vai ter que explicar isso<\/strong><\/span><\/h2>\n<\/td>\n

\n

Tiago Luz de Oliveira<\/strong><\/span><\/h2>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

* As categorias n\u00e3o mencionadas n\u00e3o obtiveram nenhum trabalho finalista nesta edi\u00e7\u00e3o.<\/strong><\/span><\/h2>\n","protected":false},"excerpt":{"rendered":"

[WPVT] Numa edi\u00e7\u00e3o com a segunda maior marca de inscri\u00e7\u00f5es da hist\u00f3ria do Nascente, \u00e9 com enorme satisfa\u00e7\u00e3o que apresentamos\u00a0todos os finalistas do 22\u00ba Programa Nascente de 2014: Artes C\u00eanicas:   Categoria- Dire\u00e7\u00e3o N\u00ba Trabalho T\u00edtulo Aluno 393 As Mulheres Que N\u00e3o Vestiam Cal\u00e7as Michel Mauch Rosa \u00a0 Categoria- Interpreta\u00e7\u00e3o em Grupo. N\u00ba Trabalho T\u00edtulo […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[77],"tags":[],"class_list":["post-8127","post","type-post","status-publish","format-standard","hentry","category-acervo"],"_links":{"self":[{"href":"https:\/\/prceu.usp.br\/nascente\/wp-json\/wp\/v2\/posts\/8127","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/prceu.usp.br\/nascente\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/prceu.usp.br\/nascente\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/prceu.usp.br\/nascente\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/prceu.usp.br\/nascente\/wp-json\/wp\/v2\/comments?post=8127"}],"version-history":[{"count":0,"href":"https:\/\/prceu.usp.br\/nascente\/wp-json\/wp\/v2\/posts\/8127\/revisions"}],"wp:attachment":[{"href":"https:\/\/prceu.usp.br\/nascente\/wp-json\/wp\/v2\/media?parent=8127"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/prceu.usp.br\/nascente\/wp-json\/wp\/v2\/categories?post=8127"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/prceu.usp.br\/nascente\/wp-json\/wp\/v2\/tags?post=8127"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}